Chuckles wrote:GD Gear, p. 251I don't have that book....care to shed a little light??
Chuckles wrote:GD Gear, p. 251I don't have that book....care to shed a little light??
mttourpro wrote:Fuck. I just typed the whole two pages and lost it.Chuckles wrote:GD Gear, p. 251I don't have that book....care to shed a little light??
Chuckles wrote:mttourpro wrote:Fuck. I just typed the whole two pages and lost it.Chuckles wrote:GD Gear, p. 251I don't have that book....care to shed a little light??![]()
I'll summarize, but it loses something if you don't have the quotes with it...
Jerry told their B-3 tech - Peter Miller - he didn't want the B-3 onstage because he was supersticious of losing another keyboard player;
Miller and Bralove then spent "weeks/months" putting together a rig with three primitive B-3 modules (Voce DMI-64's) and a GT Trio for some distortion to provide as close a sound to the original B-3 as possible without having an actual B-3 console onstage;
per Vince, Bralove had complete control of the MIDI sounds he was feeding Vince, with some sign language from Bralove to Vince suggesting what he might throw at him next, but the stack of sounds was completely controlled by Bralove.
Rusty the Scoob wrote:Then again if he never joined the Dead we'd all just remember him, or more likely not remember him as the guy from the Tubes.Can I get a "white punks on dope" cheer started?
Chuckles wrote:I see. Thanks for posting that info Chuckles---I never knew that's why there was no B-3. And, I agree---what a totally F'd up deal for Vince. He musta been paid very well to go along with that whole set-up. IMHO, that's pretty screwed up.mttourpro wrote:Fuck. I just typed the whole two pages and lost it.Chuckles wrote:GD Gear, p. 251I don't have that book....care to shed a little light??![]()
I'll summarize, but it loses something if you don't have the quotes with it...
Jerry told their B-3 tech - Peter Miller - he didn't want the B-3 onstage because he was supersticious of losing another keyboard player;
Miller and Bralove then spent "weeks/months" putting together a rig with three primitive B-3 modules (Voce DMI-64's) and a GT Trio for some distortion to provide as close a sound to the original B-3 as possible without having an actual B-3 console onstage;
per Vince, Bralove had complete control of the MIDI sounds he was feeding Vince, with some sign language from Bralove to Vince suggesting what he might throw at him next, but the stack of sounds was completely controlled by Bralove.
strumminsix wrote:WHITE PUNKS ON DOPE...WHITE PUNKS ON DOPE!!Rusty the Scoob wrote:Then again if he never joined the Dead we'd all just remember him, or more likely not remember him as the guy from the Tubes.Can I get a "white punks on dope" cheer started?
kenneybonz wrote:is the b-3 what dark star ended up using for their (late) piano player?Phil's book definitely talks about Jerry's huge walk-in closet with nothing but 5 black t-shirts in it. One of my favorite parts.
that'd be wierd if it were..
cool story though....
it's a wonder jerry never go superstitious about those black shirts? right? someone, I think it might be branford m, worte that they were in her bedroom and the walk in closet was empty but for hanger after hanger of those black shirts.. but i digress..
so, anyone know if that was the dark star b-3?
Dozin wrote:Jeff plays Brent's B3Do you know if DSO did in fact have it for a time?