hotasaPistol wrote:Thanks Emoto,
very good information that I can understand.
I have a 300 sq ft studio in my garage that is completely finished and insulated. There is a drum set, keyboards, couple of amps and microphones.Not to mention guitars.
I like the idea of keeping it simple and think you are right about the H2.
My jamming buddies and I have been talking about how to record and this sound like the way to go.
Also bet I could do some stealth recording at my place when we have some bands.
Ever use it for that?
thanks again for your time and effort
Much Obliged
Pistol 
Hey, no worries. I have used my H2 for recording band practices, and our only gig to date. I was going to resurrect my old cassette recorder, but it was in kind of rough shape and I stumbled across the new breed of field recorders as I started to research replacements. There are a lot of them on the market. Tascam and others make similar units. I don't pretend to have made an exhaustive study of all of them. The Zoom H2 was on the lower end of things price-wise, so it was a little easier to consider buying. What made the difference for me was that several music stores local to me carried the Zoom, and they all had good things to say about it. Plus, it being local, I could see it and hold it in my hand.
In the small room we rehearse in (we are bass, drums, keys, and guitar) I found that sticking the H2 up on a mic stand near the ceiling gives me a good sound. For stealth, you could stick the thing in a corner and it would be relatively inconspicuous.
What I do is record the rehearsal and then drag the file into my PC and use Audacity to chop it up into separate songs. I then burn a CD of them and hand the CDs out to the other guys.
Such a long, long time to be gone, and a short time to be there...