"Dean and I sat alone in the back seat and left it up to them and talked. "Now, man, that alto man last night had IT-he held it once he found it; I've never seen a guy who could hold so long." I wanted to know what "IT" meant. "Ah well"-Dean laughed-"now you're asking me impon-de-rables-ahem! Here's a guy and everybody's there, right? Up to him to put down what's on everybody's mind. He starts the first chorus, then lines up his ideas, people, yeah, yeah, but get it, and then he rises to his fate and has to blow equal to it. All of a sudden somewhere in the middle of the chorus he GETS IT-everybody looks up and knows;they listen;he picks it up and carries. Time stops. He's filling empty space with the substance of our lives, confessions of his bellybottom strain, remembrance of ideas, rehashes of old blowing. He has to blow across bridges and come back and do it with such infinite felling soul-exploratory for the tune of the moment that everybody knows it's not the tune that counts but IT-" Dean could go on no further;he was sweating telling about it."- From "On the Road"- cassady talking about a jazz musician
whenever i discover a transcendent moment from jerry and the band i think of this passage. i think it perfectly describes what deadheads were seeking. these moments stand out in my mind(keep in mind i was too young to see the dead so these are purely musical moments)
10-19-74-eyes
11-8-70-Truckin> Dark Star> The Main Ten> Dancin
5-26-73-china>rider
8-22-72-gdtrfb
8-27-72-all of it
3-31-73-the other one>jam>rider
4-16-78-peggy-o
12-30-83-bertha
5-9-77-comes a time
7-17-89-rider
7-19-89-deal
any visons