I see there are a few of us "going there" so let's talk through this! I've dabbled in it myself over the years and taking the next plunge with the 11rack.
My current thinking is simplicity with great sonic abilities while keeping my rack and using as desired.
I think where I've failed in the past with some of my attempts is personal monitoring. I've gotten my board feed to sound great but the only time I ever sounded on stage like I did on my board feed was when I split my signal into an old GK bass amp (or used a dedicated monitor which rarely can ever happen). Then I started thinking more and more about this and Vic I think you are using QSC active monitors (right?), and my mega let down going XT > poweramp > monitor wedge....
Now I am starting to speculate that a key component to the "final processed" sound must come from an additional low-tone shaping preamp like ones that are found on mixing boards and also powered monitor wedges who call them processors as part of their circuit for input gain, output and sometimes eq.
Anyone have any insight? What else have y'all learned!
My current thinking is simplicity with great sonic abilities while keeping my rack and using as desired.
I think where I've failed in the past with some of my attempts is personal monitoring. I've gotten my board feed to sound great but the only time I ever sounded on stage like I did on my board feed was when I split my signal into an old GK bass amp (or used a dedicated monitor which rarely can ever happen). Then I started thinking more and more about this and Vic I think you are using QSC active monitors (right?), and my mega let down going XT > poweramp > monitor wedge....
Now I am starting to speculate that a key component to the "final processed" sound must come from an additional low-tone shaping preamp like ones that are found on mixing boards and also powered monitor wedges who call them processors as part of their circuit for input gain, output and sometimes eq.
Anyone have any insight? What else have y'all learned!
