Those could be my tops, but it's wide open for me, could also go with a nice curly maple top with a tiger-eye stain, a redwood top (he has access to some great redwood), burl, anything. I just have to decide on the woods fairly quickly as it's just about build time.
Scott says that the chambered guitars sound a little more "open" and resonant than the solid body guitars. He's not sure how much difference the F-hole really makes, he was quick to say that the guitar is not going to be like a Languedoc that will feedback readily if you want it to because it's chambered, although he is building a new hollowbody model. Since my Tiger is about as heavy a block of wood as anyone would cast around their shoulders at a gig, something a little lighter is appealing.
This is redwood top (not one of Scotts', it's a Nik Huber instrument, but Nik gets his wood from Scott's guy):
Another Huber:
