Some thoughts on this one.
Intro notes: (somewhat different than in the archive)
E-------------------------------------------
B-------------------------------------------
G-----7-9b>11---9p7-9-7---------------------
D-9-9-------------------9-------------------
A-------------------------------------------
E-------------------------------------------
-----------------------A---E---B
E--------------7----------------------------
B-------------------------------------------
G------7-9b>11---9-9-7----------------------
D--9-9--------------------------------------
A-------------------------------------------
E-------------------------------------------
Bobby's verse riff:
---B---------B7-----E--B
E--------7--------------------------------------
B--------7---10-10--9---------------------------
G------------11-11--9---7h8---------------------
D--9-9-------9--9---9--9---9--------------------
A--9-9------------------------------------------
E------7----------------------------------------
He'd vary the strumming some what by giving three strums to both the B7 and E shapes before going back to the B. (of course among various other nuances)
Jam progression:
Most of the jam is improv over B but for a while they went to this progression after the B jam.
B--A--D--F# and eventually holding the F# before going back to the verse riff.
Great tune.
Intro notes: (somewhat different than in the archive)
E-------------------------------------------
B-------------------------------------------
G-----7-9b>11---9p7-9-7---------------------
D-9-9-------------------9-------------------
A-------------------------------------------
E-------------------------------------------
-----------------------A---E---B
E--------------7----------------------------
B-------------------------------------------
G------7-9b>11---9-9-7----------------------
D--9-9--------------------------------------
A-------------------------------------------
E-------------------------------------------
Bobby's verse riff:
---B---------B7-----E--B
E--------7--------------------------------------
B--------7---10-10--9---------------------------
G------------11-11--9---7h8---------------------
D--9-9-------9--9---9--9---9--------------------
A--9-9------------------------------------------
E------7----------------------------------------
He'd vary the strumming some what by giving three strums to both the B7 and E shapes before going back to the B. (of course among various other nuances)
Jam progression:
Most of the jam is improv over B but for a while they went to this progression after the B jam.
B--A--D--F# and eventually holding the F# before going back to the verse riff.
Great tune.