Hey I love this stuff!... Glad you guys are running it up the flagpole!
...and I've got the day off so... Here we go!... guitars around necks please...
Is this what you are playing on the Dm?
|--10------------10---------
|-----10------------10------
|--------12-10---------12-10
|---------------------------
|---------------------------
|---------------------------
Here is how I hear it:
|--10--------------------------
|-----10----------10-----------
|--------12-10-------12-10---
|----------------------------12
|------------------------------
|------------------------------
Starting around the 3min30sec mark (random '79 soundboard from Archive):
http://www.archive.org/details/gd1979-0 ... 716.flac16
Here's how I break it down.
Play through these chord arpeggios and you'll see what sounds more pleasing to my ear.
Here is the Fm>Fmb6>Fm6 progression:
-------Fm----------Fmb6-------Fm6-
|------------1-----------1-----------1--
|----------1-----------2-----------3----
|--------1-----------1-----------1------
|------3-----------3-----------3--------
|----3-----------3-----------3----------
|--1-----------1-----------1------------
Here is the Fm>C#>Bb7 progression.
-------Fm-----------C#--------Bb7---
|------------1-----------1-----------1
|----------1-----------2-----------3--
|--------1-----------1-----------1----
|------3-----------3-----------3------
|----3-----------4-----------1--------
|--1-----------1-----------1----------
Note the difference of the 5th string... That's where the F>C#>Bb comes from (F on the 6th string, C# and Bb on the 5th string).
In my world, where i mainly play as a solo/duo/trio, I can't hang with the Bass player staying on an F, or playing an F>F#.
I need to hear that F>C#>Bb for it to sound coooool maaaaaan.
I don't have the luxury of a big band like Phil Lesh has.
My main message to most Bass players is... "What we need is...Half as many notes, an octave lower".
When the bass player goes "up the neck" in a trio, it's like kicking one leg out from under a tripod.
One other thing.
The RuKind Tab Maker link is on the blink.
I found this one and it works even better:
http://www.hotfrets.com/tabwriter.asp
...and I've got the day off so... Here we go!... guitars around necks please...
playingdead wrote:A quick youtube clip to show the 16ths ...It sounds like you are repeating the same lick on the first part.
Is this what you are playing on the Dm?
|--10------------10---------
|-----10------------10------
|--------12-10---------12-10
|---------------------------
|---------------------------
|---------------------------
Here is how I hear it:
|--10--------------------------
|-----10----------10-----------
|--------12-10-------12-10---
|----------------------------12
|------------------------------
|------------------------------
Starting around the 3min30sec mark (random '79 soundboard from Archive):
http://www.archive.org/details/gd1979-0 ... 716.flac16
mttourpro wrote: The short of it is that the last two chords, IMHO, are in fact F min b6th and Fmin 6th (the top 2 notes would then be, Db to D for guitar and keys) I believe the bass should just hang on the F and/or perhaps hit an f# just before going to the G for the jam.Regarding the Fm>Fmb6>Fm6...
Here's how I break it down.
Play through these chord arpeggios and you'll see what sounds more pleasing to my ear.
Here is the Fm>Fmb6>Fm6 progression:
-------Fm----------Fmb6-------Fm6-
|------------1-----------1-----------1--
|----------1-----------2-----------3----
|--------1-----------1-----------1------
|------3-----------3-----------3--------
|----3-----------3-----------3----------
|--1-----------1-----------1------------
Here is the Fm>C#>Bb7 progression.
-------Fm-----------C#--------Bb7---
|------------1-----------1-----------1
|----------1-----------2-----------3--
|--------1-----------1-----------1----
|------3-----------3-----------3------
|----3-----------4-----------1--------
|--1-----------1-----------1----------
Note the difference of the 5th string... That's where the F>C#>Bb comes from (F on the 6th string, C# and Bb on the 5th string).
In my world, where i mainly play as a solo/duo/trio, I can't hang with the Bass player staying on an F, or playing an F>F#.
I need to hear that F>C#>Bb for it to sound coooool maaaaaan.
I don't have the luxury of a big band like Phil Lesh has.
My main message to most Bass players is... "What we need is...Half as many notes, an octave lower".
When the bass player goes "up the neck" in a trio, it's like kicking one leg out from under a tripod.
One other thing.
The RuKind Tab Maker link is on the blink.
I found this one and it works even better:
http://www.hotfrets.com/tabwriter.asp