What is a chord?
Well, we know what a note is, right?
A chord is 3 or more notes played together. On the piano, they are commonly referred to as triads.
Just like the circle of fifths and determining the key of a song, the "magic" of it all goes away with just a bit of understanding.
We know that the notes of the C Major scale are as follows:
C-D-E-F-G-A-B-C
Let's number them.
1)C
2)D
3)E
4)F
5)G
6)A
7)B
8 )C
The major chord is achieved by playing the 1st, 3rd, & 5th notes of the major scale together; in this case, C-E-G.
Let's put this theory to the test with a couple of tangible examples. The C chord is formed as follows:
<String> @ <Fret> = <Note>
E @ 0 = E
B @ 1 = C
G @ 0 = G
D @ 2 = E
A @ 3 = C
E @ 0 = E *
Many folks, myself included, choose to fret the lower E on the third. That would = G, and while it is often referred to as C/G or C (G Bass), you can see why it still works.
How about another. F. I'll even go barred.
1) F
2) G
3) A
4) Bb
5) C
6) D
7) E
8 ) F
E @ 1 = F
B @ 1 = C
G @ 2 = A
D @ 3 = F
A @ 3 = C
E @ 1 = F
There are really three basic forms of the major chords on the guitar. And when I refer to these, I'm referring to the root version. There is the E form. An open E is the same chord form as the barred F shown above. What you are in effect doing when you barre a chord is moving the nut up the neck. Think of the nut as a barre at fret 0. The other two forms are the A and the C. Many folks don't realize that the D is actually the C form. The open notes allow us to cheat on having to fill out that form. Try this to prove it. Play the D like this.
E @ 2
B @ 3
G @ 2 Tip: Use your first finger to barre the 2nd fret.
D @ 4
A @ 5
That's a D chord, now looking a lot more like the C form.
Here's where I'm going. If you take some time to study the above thoughts on building a major chord to the three forms of the same chord going up the neck, you'll see that you can find inventive ways to play chords. These different approaches are often referred to as voicings.
Now, I deal with this a lot on the site. An F is an F......or is it. If you're told to play an F, whatever position you choose to play it in will be technically correct. However, the voicing of the position you play may produce a slightly different sound that suggests that one is better than another. Maybe the best example I can give you of this is Jack Straw. Go to that tab on the web site and look at the intro chords E & Esus4. You could play them in the first position, and it would be technically correct. But if you play it using the voicing shown there, it produces a hollower sound, one you'd have to agree sounds a lot better......much like the Europe 72 versions.
Well, we know what a note is, right?
A chord is 3 or more notes played together. On the piano, they are commonly referred to as triads.
Just like the circle of fifths and determining the key of a song, the "magic" of it all goes away with just a bit of understanding.
We know that the notes of the C Major scale are as follows:
C-D-E-F-G-A-B-C
Let's number them.
1)C
2)D
3)E
4)F
5)G
6)A
7)B
8 )C
The major chord is achieved by playing the 1st, 3rd, & 5th notes of the major scale together; in this case, C-E-G.
Let's put this theory to the test with a couple of tangible examples. The C chord is formed as follows:
<String> @ <Fret> = <Note>
E @ 0 = E
B @ 1 = C
G @ 0 = G
D @ 2 = E
A @ 3 = C
E @ 0 = E *
Many folks, myself included, choose to fret the lower E on the third. That would = G, and while it is often referred to as C/G or C (G Bass), you can see why it still works.
How about another. F. I'll even go barred.
1) F
2) G
3) A
4) Bb
5) C
6) D
7) E
8 ) F
E @ 1 = F
B @ 1 = C
G @ 2 = A
D @ 3 = F
A @ 3 = C
E @ 1 = F
There are really three basic forms of the major chords on the guitar. And when I refer to these, I'm referring to the root version. There is the E form. An open E is the same chord form as the barred F shown above. What you are in effect doing when you barre a chord is moving the nut up the neck. Think of the nut as a barre at fret 0. The other two forms are the A and the C. Many folks don't realize that the D is actually the C form. The open notes allow us to cheat on having to fill out that form. Try this to prove it. Play the D like this.
E @ 2
B @ 3
G @ 2 Tip: Use your first finger to barre the 2nd fret.
D @ 4
A @ 5
That's a D chord, now looking a lot more like the C form.
Here's where I'm going. If you take some time to study the above thoughts on building a major chord to the three forms of the same chord going up the neck, you'll see that you can find inventive ways to play chords. These different approaches are often referred to as voicings.
Now, I deal with this a lot on the site. An F is an F......or is it. If you're told to play an F, whatever position you choose to play it in will be technically correct. However, the voicing of the position you play may produce a slightly different sound that suggests that one is better than another. Maybe the best example I can give you of this is Jack Straw. Go to that tab on the web site and look at the intro chords E & Esus4. You could play them in the first position, and it would be technically correct. But if you play it using the voicing shown there, it produces a hollower sound, one you'd have to agree sounds a lot better......much like the Europe 72 versions.
