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Grateful Dead Music Forum

A place to talk about the music of the Grateful Dead 

 #14827  by shakedown_04092
 Thu Apr 05, 2007 4:35 pm
I used to know it :? ...can anyone help me out?

Is it a F7(#9)?

Somthin' like that....

 #14828  by shakedown_04092
 Thu Apr 05, 2007 4:40 pm
Nope, nevermind...it's just a G7. I was just fingering it wrong. :shock: :x :lol:

 #14846  by Crazy 9.5 Fingers
 Fri Apr 06, 2007 8:42 am
I don't have a copy of the tune near me, but I am thinking since the song is a blues in G that the seriously intense altered chord at the top of the tune is built off the V chord or D if you will. Try a D7#9#11, sounds about right to me. Here is an attempt at posting the chord.

E---6-----
B---6-----
G---5-----
D---4-----
A---5-----
E----------

 #14852  by tigerstrat
 Fri Apr 06, 2007 1:12 pm
Crazy 9.5 Fingers wrote:I don't have a copy of the tune near me, but I am thinking since the song is a blues in G that the seriously intense altered chord at the top of the tune is built off the V chord or D if you will. Try a D7#9#11, sounds about right to me. Here is an attempt at posting the chord.

E---6-----
B---6-----
G---5-----
D---4-----
A---5-----
E----------
I always thought it was a D sharp-nine, a la "Purple Haze", etc.; I'll have to check out the sharp-eleven.

 #14856  by ronster
 Fri Apr 06, 2007 5:27 pm
I vote for a G7 and don't forget to bend the crap out of it. Try using a C7 shape moved way up the neck (- 10 9 10 8 -). So what is a G7 hold the crap?

 #14867  by strumminsix
 Sat Apr 07, 2007 7:55 am
tigerstrat wrote:
Crazy 9.5 Fingers wrote:I don't have a copy of the tune near me, but I am thinking since the song is a blues in G that the seriously intense altered chord at the top of the tune is built off the V chord or D if you will. Try a D7#9#11, sounds about right to me. Here is an attempt at posting the chord.

E---6-----
B---6-----
G---5-----
D---4-----
A---5-----
E----------
I always thought it was a D sharp-nine, a la "Purple Haze", etc.; I'll have to check out the sharp-eleven.
Both sound right to me. I checked this against the version on my hard drive:
DP08
DP22
Fallout from Phil Zone
Grateful Dead (album)
Grateful Dead (album - live track)
Birth of the Dead

Can't tell which was right. Considering 3 midrange instrument come in at the same time I wouldn't be surprised if both were present by at least 1. But the "Hendrix chord" sounds more right to my ears and the one I use.

 #14869  by ronster
 Sat Apr 07, 2007 9:09 am
I agree, when you bend (sharpen) the strings on the G7 chord you get more or less the same sound as the funky D7+ chord that crazy9.5 posted
 #92887  by zoooombiex
 Fri Jan 28, 2011 7:42 am
Hmmm, I thought it was a polychord. I'll need to go listen to it again...
 #92900  by Cmnaround
 Fri Jan 28, 2011 10:56 am
This is yet another example of why it would be great if Phil would be kind enough to write a music theory book for us - explaining exact what is played - and more importantly - why - how it all ties together from a theory perspective. There is clearly something unique going on theory wise with the Dead's music and having Phil explain it would be a nice gift to us all.
 #92924  by Octal
 Fri Jan 28, 2011 7:16 pm
Cmnaround wrote:This is yet another example of why it would be great if Phil would be kind enough to write a music theory book for us - explaining exact what is played - and more importantly - why - how it all ties together from a theory perspective. There is clearly something unique going on theory wise with the Dead's music and having Phil explain it would be a nice gift to us all.
I would read the whole thing nonstop without breaks for bathroom, eating, or sleeping.
 #148187  by gratefulredhead
 Mon Aug 03, 2015 11:41 am
After a lot of very close listening, I'm certain of these facts; the chord contains a Bb, Eb and a C (C is the bass note). It may also contain an E (giving it the dissonance off of the Eb- but if it's there it's understated). I also beleive the guitarists are layering two different inversions of the chord over each other which is what makes it so confounding.

Anyhow these notes add up to a C7#9, but you can also try flatting the 3rd (E) to an Eb which works too- but is not as dissonant.
 #148199  by playingdead
 Tue Aug 04, 2015 5:48 am
It is the same chord as the opening chord to Steely Dan's "Don't Take Me Alive" -- and that's a killer song 8)



Bitch of a chord to make but you can do it. Larry Carlton strums it at the beginning of the song.

G7#9

Notes are G D F B F B-flat

E A D G B E
3 5 5 4 6 6