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 #156984  by theactor19
 Mon Jun 12, 2017 3:04 pm
What exactly is the purpose of the buffer and how does it affect the sound of the mutron?

Same question for the OBEL.
 #156986  by PurpleTrails
 Mon Jun 12, 2017 8:21 pm
The OBEL (on board effects loop) feeds a full volume signal from your guitar to the pedal board, then gets the wet signal back from the board, sends it through the volume pot on the guitar and out to the amp. This means your effects always see a dimed signal, which is really important to consistently trigger an envelope filter like a mutron, but you can then vary the amount of volume your amp gets, which means you can use your guitar volume to push your amp into distorting. It's also typically switchable, so you can turn multiple effects on and then engage them all at once with the flick of a switch on your guitar.

The buffer is essentially a preamp that converts the high impedance output of passive pickups into a low impedance signal, which means you basically minimize signal loss and can drive longer cables. The high impedance you usually have with a regular guitar rolls off high frequencies as the cable run gets longer, so the sonic impact is to open up the sound and provide cleaner sound.
 #156988  by theactor19
 Tue Jun 13, 2017 12:03 pm
PurpleTrails wrote:The OBEL (on board effects loop) feeds a full volume signal from your guitar to the pedal board, then gets the wet signal back from the board, sends it through the volume pot on the guitar and out to the amp. This means your effects always see a dimed signal, which is really important to consistently trigger an envelope filter like a mutron, but you can then vary the amount of volume your amp gets, which means you can use your guitar volume to push your amp into distorting. It's also typically switchable, so you can turn multiple effects on and then engage them all at once with the flick of a switch on your guitar.

The buffer is essentially a preamp that converts the high impedance output of passive pickups into a low impedance signal, which means you basically minimize signal loss and can drive longer cables. The high impedance you usually have with a regular guitar rolls off high frequencies as the cable run gets longer, so the sonic impact is to open up the sound and provide cleaner sound.
Between OBEL and the Buffer, which of the two is most essential to getting the Garcia Mutron Fire on the Mountain Quack?
 #156991  by playingdead
 Tue Jun 13, 2017 12:40 pm
The OBEL is the best solution for the Mutron. But you can't really have one without the other or you are apt to have crosstalk problems.
 #157098  by SarnoMusicSolutions
 Wed Jun 21, 2017 7:04 am
The OBEL merely allows you to have a master volume control on the guitar - after the effects. And you can bypass the effects loop. But the OBEL in and of itself has virtually ZERO to do with the sound and tone of the MuTron or Qtron. The advantage is that your guitar signal is always hitting the 'Tron with full signal. If you don't have an OBEL, then a volume pedal placed after the effects is the next best thing as it gives that master volume control that's pretty important when using a 'Tron and finding the right volume.

Adding all these other suggested boosters and devices seems like adding more crap to the setup as a band-aid. When it's all working right there is absolutely no need for extra booster devices.

The MuTron and Qtron are very sensitive to bassy notes and less sensitive to high treble. So for the Jerry Mutron sound, it seems that the middle pickup set to single coil is the perfect voicing and trigger for the Tron for things like Shakedown, Estimated, Fire on the Mountain, etc. The true art is in the right hand picking control. Again this is where Jerry puts everyone to shame as his picking dynamic control was at a level of mastery very few guitarists will ever attain. The MuTron is a tricky effect, requires extreme pick control and very careful coaxing of the right kind of tone from the strings to make it open and close smoothly and nicely.

If the MuTron isn't opening up with these simple things; middle single coil pickup, guitar volume cranked, guitar tone knob wide open bright, correct guitar pick, Mutron's "gain" set to nail the proper trigger threshold - then maybe the pedal does have a problem.

In my 30 years of using MuTrons for Jerry's sound, I never found a Strat or Jerry-ish guitar that wouldn't easily drive a MuTron to get that proper sound. And also consider that when Jerry started using the MuTron, his guitar did NOT have a buffer in it. He actually ran passively from his guitar straight to the MuTron. I don't think it was until 1978 that he had the fully buffered OBEL installed. Point is, the Jerry MuTron sound doesn't require a buffer, never needs a booster, doesn't need the OBEL, just a good picking technique and the right pick and pickup setting. The buffer/OBEL setup is great, but not required.

B