SarnoMusicSolutions wrote:Something about this symptom of a drop in level with the OBEL engaged doesn't sound right. When an OBEL is properly executed, there shouldn't be any noticeable drop when engaged like that. The EQ as a compensating boost sounds like a band-aid. Can you describe your entire OBEL setup, pedals, pot values, etc.??
strumminsix wrote:Keir, lets talk boss. 10 hz sliders plus 1 volume, yes?
I say CUT on the 10 hz sliders then, if needed, boost with the volume
An ez has a gain stage for each HZ slider that is used if you boost. So say if you use all 11 you'd introduce 11 add'l gain stages in to your signal chain!!!
SarnoMusicSolutions wrote:I'm all for the use of the GE7 eq pedals when in conjunction with an overdrive or distortion pedal. It seems that when Jerry used those two EQ pedals, they shared the fx router patch with the accompanying boss overdrive pedal so that when he kicked on the drive pedal, the EQ came on with it. The bonus there is that the EQ helped refine and tweak the distortion. My only argument is to leave that kind of stuff out of the "clean", non-effects signal path. Use them all day long in the FX chain.
tigger wrote:He needed to eq those pedals because they weren't that great; there are dozens of better-sounding overdrives on the market today. Plenty of touring bands use Boss pedals but would Jerry still have any? I doubt it.
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