




strumminsix wrote:Seems that arpeggio exercises should also integrate chord voicing...
Pete B. wrote:strumminsix wrote:Seems that arpeggio exercises should also integrate chord voicing...
fwiw, The CAGED thing is also an Arpeggio goldmine.
Arpeggios that integrate Chord Voicings you say?... [is there a such thing as arpeggios that don't integrate the chord vocing???].
strumminsix wrote:Pete B. wrote:strumminsix wrote:Seems that arpeggio exercises should also integrate chord voicing...
fwiw, The CAGED thing is also an Arpeggio goldmine.
Arpeggios that integrate Chord Voicings you say?... [is there a such thing as arpeggios that don't integrate the chord vocing???].
I think many players use arpeggios because it sounds pretty or not as full as a chord.
But it's important to know your voicing of say 1 3 5 1 3 or 1 3 5 1 3 1 vs 1 5 1 3 5 1 or 1 5 1 3 5 or 1 5 1 3
When to use each and why. How the former sounds more guitar esque while the latter grouping will sound more piano esque and could collide with the piano player, etc, etc...
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