Thanks Jedi.
Tennessee Jedi wrote:The way Bill has the F# tabbed its not minor or major right ?
Billbbill wrote:Tennessee Jedi wrote:The way Bill has the F# tabbed its not minor or major right ?
Correct - as I said, as I here jg riffin there sounds like he's not playing the minor or major 3rd, but the 1-5-1 power chord arpeggio for both the C#m and the F#m - as I said I still think they're both minor chords though.
Billbbill wrote:def an F# at the end run after the modulation up to B
I wonder around...
--F#--E--D--A--E-----B--A--E-B
figured I'd start another debate!!!
strumminsix wrote:
Sorry, Jeff, I've mentioned this a few times but forget not everyone here today was around then.
Close, barre the 4th fret.
C shape for the E
Am shape for the C#m
Dm shape for the F#m
G shape for the B
It's useful in many GD tunes like: LL Rain, BT Wind, Deal, BE Women, etc...

Billbbill wrote:def an F# at the end run after the modulation up to B
I wonder around...
--F#--E--D--A--E-----B--A--E-B
figured I'd start another debate!!!

DenverEd wrote:I love that there is a heated discussion about the minutea of this one passage. Where else are people so obsessed about getting it just exactly perfect?
pappypgh wrote:http://www.archive.org/details/gd1990-07-16.sbd.unknown.84980.shnf
http://www.archive.org/details/gd1990-0 ... eok.flac16
http://www.archive.org/details/gd1990-0 ... eok.flac16
I'm hearing that Bb (or A#, whatever you guys wanna call it)....played by Jerry....
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