tigerstrat wrote:Wasn't Phil's Gibson bass actually an EB-0 to which he added a bridge pickup? EB-3's seem to have had the Varitone tone cap selector (similar to the ES-345)

broesau wrote:I had no idea Gibson was making a six string bass back then. Was anybody else?
Rusty the Scoob wrote:broesau wrote:I had no idea Gibson was making a six string bass back then. Was anybody else?
I didn't either, but they definitely weren't the only ones: http://en.wikipedia.org/wiki/Fender_Bass_VI
tcsned wrote:Rusty the Scoob wrote:broesau wrote:I had no idea Gibson was making a six string bass back then. Was anybody else?
I didn't either, but they definitely weren't the only ones: http://en.wikipedia.org/wiki/Fender_Bass_VI
I had a buddy that had one of those Bass VI's - very short scale from what I remember and an octave down version of a guitar not the modern 6-string bass tuning. I guess they hadn't worked out those particulars yet.
tcsned wrote:Rusty the Scoob wrote:broesau wrote:I had no idea Gibson was making a six string bass back then. Was anybody else?
I didn't either, but they definitely weren't the only ones: http://en.wikipedia.org/wiki/Fender_Bass_VI
I had a buddy that had one of those Bass VI's - very short scale from what I remember and an octave down version of a guitar not the modern 6-string bass tuning. I guess they hadn't worked out those particulars yet.
tcsned wrote:I thought baritone guitars were tuned to B or C not an octave down.

Rusty the Scoob wrote:tcsned wrote:I thought baritone guitars were tuned to B or C not an octave down.
I imagine that either the Bass VI or the Gibson version could be set up either way, only depding on string choice and possible nut filing.
Personally I'd be pretty annoyed if I was playing with a guy with a baritone guitar. it's bad enough that you guys can already get down to an octave to an octave-and-a-half of my lowest note (depeding on if I'm playing four or five strings.)![]()










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