jdsmodulus wrote:For about 5 years or so I had both the UE 400 & 405 in my rack at the same time. This was a great simple way to get killer Weir tones. I like that they had stereo ins and outs somewhat like true bypass. You just had to turn the footpedal off and on for it to be silent. I agree about Brent, he had all Ibanez effects to start and maybe a moog?
I have the 400 and 405 in my rack and also I have an AD202, all of weirs tones from 78-82 lay in there..........
Actually Brent had a prophet (think of his solo off alabama on Go to Heaven, I love that he still played that solo like the album for the first year or 2 live, before the Dead twisted him "their way")
Vic,
Bobby used the chorus sparingly at times especially late summer/fall 78...........However I strongly agree on the opinion of the chorus detuning from the keys/lead guitar when used heavily, that indeed happens and makes things sound a little "off"
Gil, don't fret

there were periods in that same frame where Bobby absolutely used a UE700 (Brent too),
Bobby alternately used the 700 and the 400, I dont believe he ever actually used the 405 onstage, but a great unit nonetheless. The compressor on the 405 is much better than the 400 compressor and it has the nice Analog delay on it too (which I dont use much since I have the ad202 which really is THE kick ass Analog delay ; along with the 230)
.......................................................have you heard the one about the yellow dog?