Note: For anybody wondering, TS's notation uses the "chord name" as the "1", and the numbers in parenthesis as the continuation of the "count".
So for example "F(,2)" is the same as counting the beats as "1,2". In 2/4 time-sig we only count as high as 2 (count 1,2 on your fingers while tapping 4 beats with your foot).
tigerstrat wrote:tweaking what i originally posted to align with Pete's Alpine 89 YT link below:
2/4:
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F........................... F(,2) C7(,2)... Am(,2,1,2)... Em(,2,1,2)....G(,2,1,2,1,2...)
"Made anymore, I might move away-ay(1.5)...... -ay(2)...... -ay"(3)
"Ay"s: 4 syllables, but only 3 "measures" (if counting 4s), squeezing two Ays into the the first "measure".
We are basically seeing it eye to eye now (uhh... I'm not gonna touch the "(1.5)" thing, but I believe we hear it the same now).
I believe we are in sync with The GD and The DNB, as well.
F.....................................F(,2)...C(,2)...Am(,2,1,2)....Em(,2,1,2)....G.
"Made anymore, I might move a-way.....ay........ay..............ay"
fwiw, I don't hear a C7.
The (picking hand) playing of the F>C over "a-way---ay" is similar to the intro punches from Second That Emotion.
Here's a good one (jerry and bobby are mixed hard left and right) where you can set your balance all the way to Bobbys side (or Jerry's) and hear clearly what he plays (F,C,Am,Em):
http://www.archive.org/details/gd71-11- ... efail.shnf