by wisedyes » Mon Dec 24, 2007 8:11 am
Well, the song is in straight E Major, so technically, over the B chord you should be using the Mixolydian mode. HOWEVER, since the chord used is B Major and NOT B7, this allows you some leeway to use the B major scale as a substitute.
Myself, I tend to use mainly the Major pentatonic scales over the B and E for this - gives it a bit more of that country twang. When I get to the other chords, I treat them with a chord tone approach more than by using scales.
Tom, use the G form pattern for B ( 6th string root ) in between the 4th and 7th frets, and the C pattern for E ( 5th string root ) in the same position. To play higher on the fretboard, invert them up between the 9th and 12th frets - the E root will now be on the 6th string at the 12th fret, and the B root is on the 5th string 12th fret.
There are three other patterns ( the A, E, & D ) but stick with these two for now and see how they work together and how similar the fingerings are. Have fun on the interstates and with the fam.
Out of the loop? I didn't know there was a loop!