

Thanks for the advice, I work in a book store and bought it right away. Have read parts but didn't see anything in there that told me how to reproduce the sound using today's tech.strumminsix wrote:Dude, you should buy the GD Gearbook. It gives some great insite into the rigs used over time.
I love that site and I've seen this before:Also check out dozin's site: http://dozin.com

I have a Zoom effects processor that has 16 different effects each one able to be adjusted with three different switches that have three different settings for each switch. Its one of the 'personal' ones, it goes on your belt that I bought 12 years ago and I also, please don't laugh, have been using Garage Bands settings that I think are robust like for just the AUMatrixReverb Setting alone you can adjust:What do you have?
What do you want?
I'd dump the compressor for sure.
I'd also advocate against much reverb.
?blues driver
Thanks Mike that is just what I am doing!I advise to you is to find your sound, if jerry's sound is what you wanna sound like, go off of it. Get a new sound, with some of jerry's in it also.
But DO use a healthy dose of spring reverb, but sh##-can the digital simulation.
Thanks a lot for this, I'm going to go try it tonight!AS importantly, turn your amp treble UP (WAY up, just trust me), the amp bass control WAY DOWN, and (and this is the key here) your guitar tone control DOWN. Find the sweet spot with the guitar tone pot.
I believe Jerry's rig was very basic in '69. Get an SG, a Fender amp from the early Silverface era and maybe a wah and you're halfway there. The rest is in your hands and in your mind.
i recently perfected treys tone and i played with it for a while. but it was too weird and i didnt like it. the tone wasnt mine, it felt like i was trying to make myself trey. my tone still has alot of compression and is really fat and bass heavy but i altered a bunch of settings to sound like I wanted them to and i'm alot happier with it now

tigerstrat wrote:Strummin's right, the compressor will only take you in th wrong direction. You want maximum dynamic aliveness, not squashed tone gruel.
But DO use a healthy dose of spring reverb, but sh##-can the digital simulation.
AS importantly, turn your amp treble UP (WAY up, just trust me), the amp bass control WAY DOWN, and (and this is the key here) your guitar tone control DOWN. Find the sweet spot with the guitar tone pot.

LazyLightnin wrote:leave no turn unstoned
strumminsix wrote:qiuniu,
What type of amp do you have?
Then with the zoom pedal add in some fx:
Wah
Envelope
Phaser
Overdrive
You should be able to cop a Jerry-esque tone.

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