We all dig new toys. I'm as guilty as anyone in this regard. This being admitted, I don't think it would hurt you, Al, before you decide you've got a problem needing fixing, to ascertain whether you've really got a problem at all. Sometimes we think we need to change the world when all we need to do is free our minds (apologies to John Lennon). For me, the key benefit of an on-board, pre-OBEL buffer - why I invested in two of them in two of my guitars - is having the signal is buffered up front
before it leaves the guitar for the OBEL. My concept of tone is that this is desirable.

If I've misunderstood your intent, Al, I apologize but if what you're thinking is you'll not only hear the difference between a standalone buffer pedal and an already-buffered effect pedal but it will make a significant difference in your ultimate tone under the conditions you play in, by all means, go for it. Personally, I doubt, in a double-blind test so we aren't misled by our expectations, that many if any of us could, and that is also my personal experience and why I shared the article I did, but it's a free world. Plus you may in fact hear things I and others can't. Eric Johnson can. Jerry I'm sure could. Perhaps also Waldo. Tone, like wine, is subjective. If you can both taste the difference between a $25 and $125 bottle and wine
and that difference is worth it to you, buy the $125 bottle. If not, my view is, enjoy your $25 bottle and save the extra C-note for something you can discern and value.
"For me, I think the only danger is being too much in love with guitar playing. The music is the most important thing, and the guitar is only the instrument." Jerry Garcia