
tigerstrat wrote:Type II jamming is what bored the bejeezus out of me for the last 10-15 years.

Stone wrote:Fri night at Deer Creek..and...........really enjoyed the fuck outa my self. I only knew a few tunes and that shit was solid.


Counterstriker wrote:Has anybody ever notice how much trey touches his tone and volume knobs (all his controls really) after every phrase of lick he messes with it and goes between pickups too.
jeffm725 wrote:Counterstriker wrote:Has anybody ever notice how much trey touches his tone and volume knobs (all his controls really) after every phrase of lick he messes with it and goes between pickups too.
Thats because Trey is a fuckin' jedi![]()
....
That languedoc in a mere mortals hands would squeal like a stuck pig. He plays on the edge ALL the time so he can pick and choose when to throw that otherwordly sustain bag of tricks at 'ya. He needs to ride the volume and tone like that to reign in the Wild stallion that guitar is. It is braced and hollow like a Jazz box and plugged into a fairly high gain signal chain.
My wife is not a big Phish fan and echoes some of the sentiments I see in this thread about their lyrics. But this band is about F-U-N. And they had more fun this summer than they have since summer 2000 in my opinion. (see recurring Fishman "tucking" theme)
jeffm725 wrote:Love 'em. They brought the absolute heat this summer. They have changed and they are not extending typeII jams as much as the did when 2.0, but in 2.0 they couldnt nail their composed tunes either, and they are crushing that shit now. They have played 207 DIFFERENT songs this year in under 20 shows! I defy you to find a GD year that comes close to that setlist variety! Everything is a trade off. I think the summer tour that just ended is the best since summer 2000.
Being a native New Englander, I got to see them very early: 1987 as an opener for Max Creek. Loved 'em then, Love 'em now. Great guys too!

jeffm725 wrote:Counterstriker wrote:Has anybody ever notice how much trey touches his tone and volume knobs (all his controls really) after every phrase of lick he messes with it and goes between pickups too.
Thats because Trey is a fuckin' jedi![]()
....
That languedoc in a mere mortals hands would squeal like a stuck pig. He plays on the edge ALL the time so he can pick and choose when to throw that otherwordly sustain bag of tricks at 'ya. He needs to ride the volume and tone like that to reign in the Wild stallion that guitar is. It is braced and hollow like a Jazz box and plugged into a fairly high gain signal chain.


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