

JustinJohn wrote:I believe Jeff Mattson plays the Bryston 4B. Those things cost an arm, leg, several teeth, and an eyeball.


SarnoMusicSolutions wrote:To help make that Bryston work, we've got Jeff playing with the Earth Drive pedal always on and also after the SMS Classic and right before the Bryston, he's got yet a second clipping/warming device I made for him that operates at line level to help reduce the ice-picky-ness of the Bryston. It does work, but even still it's a battle with the Bryston.
SarnoMusicSolutions wrote:To help make that Bryston work, we've got Jeff playing with the Earth Drive pedal always on and also after the SMS Classic and right before the Bryston, he's got yet a second clipping/warming device I made for him that operates at line level to help reduce the ice-picky-ness of the Bryston. It does work, but even still it's a battle with the Bryston. Not only a bright amp, but TOO powerful at 400 watts per channel. Definitely out powering what Garcia had using a single Mc2300 channel. The Mc2300 is a very recent addition, like one week ago or so. And don't get me wrong, I LOVE Bryston amps. They're just gorgeous in the studio or they'd be a dream for driving stage monitors or a small PA.
Brad

SarnoMusicSolutions wrote:Probably amazing on bass. Although these days it seems pretty hard to beat the high end class-D stuff for bass, especially the Hypex and Pascal and Icepower stuff. I don't think anything can touch good class-D when it comes to damping factor and controlling the speaker as needed with bass. This class of amplifiers is the wave of the future, I think. The latest Ncore by Hypex is said to be outta sight. You don't want to clip this type of amp though. So for Jerry style, I say stick with class-AB amplifiers.
B

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