Pete B. wrote:Another point I'd kindly point out is that the transition is D B7 F# A(Maj7) (I think you're not showing the D)
The D starts at 2:06 (2:07-2:13-ish) in the above youtube studio version reference.
Lately it o-cuurs to me
Do you have the maj 7 for the A in *()* so as to be optional? We just covered this for the first time last night and while I know the book has Amaj7 we discussed this in rehearsal while working this up for about 10 seconds before settling on the A instead of the maj7 shape. Haven't spent much time really checking it out so I could be off base with this.
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