strummin'
do you play around in the chords at all, like little half-tone slides, hammers, etc?
I hear Bobby doin some interesting stuff, and I was hoping to get some more ideas.
For example, when I play the Emaj7, barred on the 4th fret, I hammer on and pull off the E on the b-string (basically making it an E chord). Then when playing the B (barred on the 7th), I throw in a Bsus4 every now and then and maybe a B6 before the transition back to the Emaj7. I think the B6 makes a nice transition back to the Emaj7 because it's esentially the same chord in a different position.






