At the request of Spilly:
This is the Velvet Underground song Sunday Morning and it's one of my favorites! I play it with all the strings downtuned, but it can be played in standard tuning and doesn't sound half bad.
* all the strings downtuned a whole-tone
1d ----- * downtuned a whole-tone (from e to d)
2A ----- * downtuned a whole-tone (from B to A)
3F ----- * downtuned a whole-tone (from G to F)
4C ----- * downtuned a whole-tone (from D to C)
5G ----- * downtuned a whole-tone (from A to G)
6D ----- * downtuned a whole-tone (from E to D)
First the Lyrics:
Sunday morning
brings the dawn in
It's just a restless feeling
by my side
Early dawning
Sunday morning
It's just the wasted years
so close behind
Watch out, the world's behind you
there's always someone around you
Who will call
it's nothing at all
Sunday morning
and I'm falling
I've got a feeling
I don't want to know
Early dawning
Sunday morning
It's all the streets you crossed
not so long ago
Watch out, the world's behind you
there's always someone around you
Who will call
it's nothing at all
Watch out, the world's behind you
there's always someone around you
Who will call
it's nothing at all
Sunday morning (4x)
note: this song has different pitch from other songs on this album.
tape speed is probably fast... so Lou's voice sounds like female.
* see also Ryan's post below.
intro {G}{C}{G}{C}
{G}{C}{G}{C} (Sunday morning, brings the ...)
{G/D(onF#)}{Em}{A}{D} (It's just a restless feeling ...)
{G}{C}{G}{C} (Early dawning, Sunday morning)
{G/D(onF#)}{Em}{A}{D} (It's just the wasted years ...)
chorus {G}{C}{G}{C} (Watch out, the world's behind ...)
{Am}{Am}{F}{D} (- call, it's nothing at all)
{G}{C}{G}{C} (Sunday morning, and I'm ...)
{G/D(onF#)}{Em}{A}{D} (I've got a feeling ...)
{G}{C}{G}{C} (Early dawning, Sunday morning)
{G/D(onF#)}{Em}{A}{D} (It's all the streets you ...)
chorus {G}{C}{G}{C} (Watch out, the world's behind ...)
{Am}{Am}{F}{D} (- call, it's nothing at all)
guitar {G}{C}{G}{C}
{G/D(onF#)}{Em}{A}{D}
chorus {G}{C}{G}{C} (Watch out, the world's behind ...)
{Am}{Am}{F}{D} (- call, it's nothing at all)
coda {G}{C}{G}{C} (Sunday morning, Sunday morning)
{G}{C}{G}{C} (Sunday morning, Sunday morning)
... fade out
* D(onF#) chord (all the strings downtuned a whole-tone)
*1d ------- ---2---
*2A ---3--- ---3---
*3F ---2--- or ---2---
*4C ---0--- ---4---
*5G ---x--- ---x---
*6D ---2--- ---2---
* guitar solo (all the strings downtuned a whole-tone)
{G} {C}
*1d --------------------------------------------
*2A ------------------------------1---1-----1---
*3F ------------------------------0h2-0-0---0---
*4C ------0--0h2-0---0-----2-0-2--------0h2-----
*5G ---------------2-----3----------------------
*6D --3-----------------------------------------
{G} {C}
----------------------------------------------
---------------------------1--1---1-1-----1---
-----------------------0---0--0h2-2-2b4r2-0---
--0--0--0h2--0---0-----0h2--------------------
---------------2-----3------------------------
----------------------------------------------
{G / D(onF#)} {Em}
-------------------------------------------
-------------------------------------------
-------------------------------------------
------0--------0-----------0-0-0h2-0---0---
----2--------0---------0h2-----------2-----
--3-----3--2-----2---0---------------------
{A} {D}
-----------------------------------------------
-----------------------------------------------
--------0-0------0-0h2-0-----2-----------------
----0h2------0h2-----------0---0-0--0h2-0------
--0---------------------------------------2-0--
-----------------------------------------------
Watch out ...
{G}
------------------
------------------
------------------ ...
------------------
------------------
--3---------------
There you go. This was originally tabbed for me by Shiroh KOUCHI (wildside@mx21.tiki.ne.jp)

