Pete B. wrote:If I had to guess, based on my own observations... I'd say that Jer liked these picks for the tone of the "wound" strings.
'Used the pick at a trio jam (guit/bass/drums), and the tone of licks like the intro to Cold Rain and Snow, Loser, West LA, etc... is really noticable.
I didn't mention the pick to the guys, but they both said I sounded more treble-ee. The bass player said my tone had a certain "tink" on the high end.
Interesting.
JonnyBoy wrote: ...I liked the way the lick sounds with the pick, much more spank on the low notes, it cuts through better too...

tigerstrat wrote:Pete, been awhile since we jammed, you should check out Warda's Sat night open mic at End of the Universe while he is still doing it!
Pete B. wrote:If I had to guess, based on my own observations... I'd say that Jer liked these picks for the tone of the "wound" strings.
'Used the pick at a trio jam (guit/bass/drums), and the tone of licks like the intro to Cold Rain and Snow, Loser, West LA, etc... is really noticable.
I didn't mention the pick to the guys, but they both said I sounded more treble-ee. The bass player said my tone had a certain "tink" on the high end.
Interesting.

mijknahs wrote:I was totally blown away when I "discovered" (from videos) that Jerry fingerpicks so much and gets the sound that he does. He must have had some hard callous' built up on those fingers because the sounds is still so crisp and biting. Not muted or soft at all. Especially Cumberland, Althea, and GDTRFB (always fingerpicked).
SarnoMusicSolutions wrote:. . . Try a thinner snappy pick with this amp setup and it'll bite your head off. . . .
Brad
Ouchy

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