


davidl13 wrote:was he using the twin/ macintosh amp? jbl d or k?, were E120's even invented yet...????
his reverb in particular is extremely warm and distinct....
if anyone has more details, i would love to know...

tigerstrat wrote:
Jerry's TB500's were apparently the only ones ever made with three pickups, rather than the usual two. Plus he added a Stratoblaster-buffered fx loop, his first one, sometime in November/December 1976.
waldo041 wrote::shock:
nice find on those!
another interesting topic on jerry's bean 500's, were the 3 toggles. with the effects loops taking one of the toggles, how do the the other 2 control 3 pickups?
peace,
waldo

davidl13 wrote:thanks for the link to that database. I just added my TB1000A, 1978
jonarobb wrote:tigerstrat wrote:
Jerry's TB500's were apparently the only ones ever made with three pickups, rather than the usual two. Plus he added a Stratoblaster-buffered fx loop, his first one, sometime in November/December 1976.
There were 2 other 3 p/u TB500's made besides Garcia's. I found this out on the Travis Bean site.
Here's the 2:
http://www.travisbeanguitars.com/index. ... detail.htm
http://www.travisbeanguitars.com/index. ... detail.htm

Crazy 9.5 Fingers wrote:All those Spring '77 shows have this kind of hall verb sound to them. Was it something in their soundboard? I remember seeing some PHISH shows in '91 and '92 where I felt the went really heavy with the verb and I assumed it was an hommage to the '77 Dead era. Or it may have just been the shrooms.
Dick's Picks 3, 5/22/77, between Eyes and Wharf Rat you get a short Jerry space section (which happens to be fucking outstanding) where you can really hear the verb, maybe even a little delay in there as well?

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