
RiverRat wrote:Jeff may be right about the impendence of Jerry's rig but you could easily achieve a similiar load by using an Attenuater or Dummy load (MY, I think I had a discussion with you about this a couple years ago. when you were building your smaller rig and were concerned about tone and performance)

RiverRat wrote:The key points:
The amp is designed for an optimal 2.1 Ohm load... Probably why the 3 JBL's were utilized initially during the Wall of Sound era, then increased post Wall as the road crew got familiar with how the amps performed on the road,
tigerstrat wrote:RiverRat wrote:Jeff may be right about the impendence of Jerry's rig but you could easily achieve a similiar load by using an Attenuater or Dummy load (MY, I think I had a discussion with you about this a couple years ago. when you were building your smaller rig and were concerned about tone and performance)
There could be something to the impedance of 3 JBL's creating a certain sound, but that would mean Garcia got different signature Garcia tones when using 4 JBLs (late 70's/early 80's) or 2 JBLs (1991).

hard truckers co wrote:Hey Guys....
Most of the time that Jerry ran his 3x12 cabinet there was a 4th speaker in a 1x12 cabinet that was running behind the stage so that Steve, Ramrod and everyone else would have their own Garcia Monitor backstage. While this wasnt a hard and fast rule it was true more often than not. According to Big Steve it had nothing to do with running at 2.6 or 2.0 ohms. The crew just wanted to hear Garcia clearly. They had no reason to believe one ohmage ran better than the other.
Straight from the horses mouth...
peace
glenn

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