strumminsix wrote:Not sure but will say this... I've seen Jerry use the shape below but RARELY have I seen a Jerry player use it:
For A
b ------10---------
g ---9-----------
d ---------11-----
Tennessee Jedi wrote:strumminsix wrote:Not sure but will say this... I've seen Jerry use the shape below but RARELY have I seen a Jerry player use it:
For A
b ------10---------
g ---9-----------
d ---------11-----
Wha ?????
The " C " shape barre chord ?
1st finger barre 9th fret ?
I would hardly call that a rare chord shape to to solo/chord with .....
How would someone do so many tunes like .... Franklins ! or to solo in Deal ??????
So may of jerry's soloing secrets seem to be solo'ing out of chord shapes ..... the " C " shape one is a biggie
just .02 $


Tennessee Jedi wrote:strumminsix wrote:Not sure but will say this... I've seen Jerry use the shape below but RARELY have I seen a Jerry player use it:
For A
b ------10---------
g ---9-----------
d ---------11-----
Wha ?????
The " C " shape barre chord ?
1st finger barre 9th fret ?
I would hardly call that a rare chord shape to to solo/chord with .....
How would someone do so many tunes like .... Franklins ! or to solo in Deal ??????
So may of jerry's soloing secrets seem to be solo'ing out of chord shapes ..... the " C " shape one is a biggie
just .02 $


strumminsix wrote:Not sure but will say this... I've seen Jerry use the shape below but RARELY have I seen a Jerry player use it:
For A
b ------10---------
g ---9-----------
d ---------11-----
tigerstrat wrote:this tune is on a studio album...? which one? fwiw I always use the basic barre at 8th fr.
Tennessee Jedi wrote:When i play along to it .... behind the keys .... I try for those chords that remind me of old blues chords .... I love when Jerry comps rhythm with those " uptown " sounding forms
I use a chord form I got from Allmans version of ' Stormy Monday ' .... what ever it is they play on the G

strumminsix wrote:I've played this only in A per the request of a keyboardist who sang it so didn't know the real key
I was just speaking to voicing and the order in which the notes are plucked - hence the inversion!

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